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Clef: TrebleTreble
Measures: 20 - 35
Participation: 100%
Unique Accidentals: 3-4
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Handel
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
02. Behold The Lamb Of God
crize2foi
0:57 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
Bass Bass 15 0 3 7 92%
Tenor Treble 13 0 4 6 92%
 
Air From Water Music
flippeters
1:52 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 29 4 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 29 4 7 100%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)
edward.maurath
1:59 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
Continuo Bass 19 0 3 4 100%
Consalvo Bass 16 0 4 4 76%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%
 
HWV56N24 - Surely He hath bourne our grief
edward.maurath
2:51 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Organ Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Cello Bass 22 0 7 8 100%
Contrabass Bass 22 0 7 8 100%
Viola 15 0 4 9 100%
Violin
1		 Treble 18 0 4 9 100%
Violin
2		 Treble 13 0 4 8 100%
Alto 9 0 2 8 73%
Bass Bass 15 0 6 9 69%
Soprano Treble 11 0 3 9 69%
Tenor 11 0 3 9 69%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)
edward.maurath
2:20 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Harpsichord Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Celli Bass 16 0 5 4 100%
Continuo Bass 16 0 5 4 100%
Contrabasses Bass 15 0 5 4 100%
Violas 14 0 5 4 100%
Vln
1		 Treble 14 0 5 6 100%
Vln
2		 Treble 14 0 4 6 100%
Cesare 15 0 6 4 83%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%